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Destinations: My Son
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My Son means the Holy Land, located
65 km southwest of Danang, was an imperial city
during the Cham dynasty, between the 4th and 12th
centuries. My Son Sanctuary is a large complex
of religious relics that comprises more than 65
architectural works.
They include temples and towers
that connect to each other with complicated red
brick designs. The main component of the Cham
architectural design is the tower, built to reflect
the divinity of the king.
According to records on the
stone stele, the prime foundation of the ancient
My Son architectural complex was a wooden temple
to worship the Siva Bhadresvera genie. In the
late 16th century, a big fire destroyed the temple.
Step by step, historical mysteries were unveiled
by scientists. Through stone stele and royal dynasties,
they proved My Son to be the most important Holy
Land of the Cham people from the late 4th to the
15th centuries. For many centuries, the Cham built
Lip, a mutually linked architectural complex,
with baked bricks and sandstone. The main temple
worships the Linga-Yoni, who represents the capability
of invention. Beside the main tower (Kalan) are
several sub-towers worshipping Genies or deceased
kings. Although time and the wars have destroyed
some towers, the remaining sculptural and architectural
remnants still reflect the style and history of
the art of the Cham people. Their masterpieces
mark a glorious time for the architecture and
culture of the Cham, as well as of Southeast Asia.
Each historical period has its
own identity, so that each temple worshipping
a genie or a king of a different dynasty has its
own architectural style full of different impression.
All of the Cham towers were built on a quadrate
foundations and each comprises three parts: a
solid tower base, representing the world of human
beings, the mysterious and sacred tower body,
representing the world of spirits, and the tower
top built in the shape of a man offering flowers
and fruits or of trees, birds, animals, etc.,
representing things that are close to the spirits
and human beings.
According to many researchers
of the ancient Cham towers, the architectural
art of the Cham towers at My Son Sanctuary is
the convergence of different styles, including
the continuity of the ancient style in the 7th-8th
centuries, the Hoa Lai style of the 8th-9th centuries,
the Dong Duong style from the mid-9th century,
the My Son and My Son-Binh Dinh styles, etc. Among
the remnants of many architectural sites excavated
in 1898, a 24 metres high tower was found in the
Thap Chua area and coded A I by archaeologists
and researchers on My Son. This tower is a masterpiece
of ancient Cham architecture. It has two doors,
one in the east and the other in the west. The
tower body is high and delicate with a system
of paved pillars; six sub-towers surround the
tower. This two storey tower looks like a lotus
flower. The top of the upper layer is made of
sandstone and carved with elephant and I ion designs.
In the lower layer, the walls are carved with
fairies and water evils and men riding elephants.
Unfortunately, the tower was destroyed by US bombs
in 1969
After the My Son ancient tower complex was discovered,
many of its artifacts, especially statues of female
dancers and genies worshipped by the Cham people,
worship animals and artifacts of the daily communal
activities, were collected and displayed at the
Cham Architecture Museum in Danang city. Although
there are not many remnants left, those that remain
display the typical sculptural works of cultural
value of the Cham nationality. Furthermore, they
are vivid proof, confirming the history of a nationality
living within the Vietnamese community boasting
of a rich cultural tradition.
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